Over the weekend, I made this bar for MKG Productions. It uses a few old whiskey barrels and some 1×3 lumber stained to match. The barrels still had some whiskey sludge inside them (As you can see from the last photo!)
I designed this dollar bill for a Sesame Street episode about finance.
It needed to be easy for children to find the numeral “1” in the design, and look familiar as a banknote, but not so close to the design of the US dollar bill to get us into legal trouble.
The original drawing of Mr. Hooper is by Caroll Spinney, though I went over the lines to get the weight to look right with the drawing of the rest of the bill. We printed these out on blue copy paper and then glued the front and back halves together so that the paper would be durable enough for puppets!
I also made some cards and envelopes to hold the dollar.
I had fun designing this CD cover for a pair of Hip-Hop Penguins… there are a whole mess of Photoshop filters that I don’t ordinarily get a chance to play with, so it was a blast to go berserk with lens flares.
I’m like Elmo’s ghost writer, except with crayons. (actually, these were drawn with Stabilotones – they’re supercrayons!)
I made these posters to appear in Michael Showalter’s pilot for a new television series. They needed to appear to be designed at different times, and by different people – and the photos cleared for use were mostly pictures of animals, and photos of someone’s vacation. I had fun thinking up names for non-existent programs, and corny jokes to hide in the posters.
These logos were created for a spoof public television program named “The Michael Showalter Showalter,” on a network named “PBT”.
I was given quite a bit of leeway – the client wanted a red logo on a white background for the program, and a brown oval for the network logo.
I made these pedestals for a display of new jewelry at DeBeers. The rocks are made from polystyrene foam, and coated with concrete (for the rough rocks) and foamcoat (for the smooth rocks.) I had help from Andrew Bunch and Tom Smolenski with sculpting and finishing the 50 artificial rocks that went into the display.
I went on a tour of the Ralph Lauren office when I was working with them on an illustration project, and we met an employee in the hallway. They asked me if I could draw pants, I replied “Yes,” and that’s how these drawings came about.
I made these illustrations from reference photos – I was given a stack of clothing, and my friend Sean McBride helped with the photography as I tried out my best pant poses. So, If you see some blueprint-style advertisements in Macy’s, that’s me wearing those pants!
The last two images were accidents – I forgot to switch layers off in Flash – but I kinda like how they look so I thought you might be interested.
Designing and building this machine was one of my biggest challenges on Silent Library.
Figuring out a way for the hands to rotate around a point where I could place no pivots was tricky – so I made a semicircular track for a set of rollerskate wheels, and attached a pair of silicone hands to the wheels. The hands are moved by steel bars which slide in tracks to convert the circular motion of the motor into the back and forth motion of the hands. Some bearings helped to keep everything running smoothly.
My task on this project was creating an automatic mechanism that would fire a dozen eggs at contestants on Silent Library.
I experimented with a tennis-ball-style launcher first, but settled on a gatling gun setup, powered by a disassembled t-shirt gun. The revolver chamber is made out of sections of PVC tubing ringed with UVA foam to prevent air from leaking out of the gun. A one-way mechanism rotates the revolving barrels to advance a new egg into place whenever the chicken cycles. A cable pulls on the gun’s trigger when the chicken is in the horizontal so that the eggs will fire out of the rear of the chicken at the right moment. Dario Gimenez sculpted the chicken-shaped cover for the machine.
Below is a video of the mechanism at work (with the air gun removed,) followed by a clip of the egg gun firing a few eggs at a contestant.
This seven-foot-tall crane was made to strike game show contestants in the groin with a sand-filled plastic wrecking ball. The frame is made from steel, with plywood panels, heater vents, lawnmower wheels, and some video arcade switches.
Courtland Premo helped with the electrical system, and I managed to hit the poor contestant in the groin in two out of my three attempts. Yay!
This was a fun challenge!
The writers for Silent Library wanted to hit the contestants with ostrich eggs… but since ostrich eggs are expensive and are so hard that they need to be opened with a hammer, I needed to create some fake ostrich eggs that would make a mess and not kill anyone.
I started by creating a two-part plaster mold from an actual ostrich egg (the egg might have cooked from the heat of the curing plaster, though I never found out since the egg stayed unopened in the refrigerator for the rest of the shoot.)
Porcelain was poured into the plaster mold and left for a few minutes to form a thin shell, and after the porcelain had dried melted parrafin wax was poured into the porcelain shell to make it waterproof. Each of the dozen fake eggs that I made contained the goo from eighteen chicken eggs (thanks to Craig Burghardt for teaching me how to open eggs with one hand, mess hall style.)
The fake eggs were sealed with more melted wax, primed, and then spraypainted. Courtland Premo made a catapult to launch these eggs, and they totally didn’t hurt anyone!
I’ve made things that punch people, and machines that kick people, but here’s a machine I made that kicks and punches people at the same time! Increases productivity by 100%!
The foot and fist are both set in motion by pneumatic cylinders, with a foam foot inside the boot and a foam fist, so that no bones would be busted.
I made these urethane rubber hammers to smash the hands of Silent Library contestants, and set up a pneumatic mechanism to make the hammers swing up and down.
I cast my hand a whole bunch of times on the third season of Silent Library – in this case, six times to make a machine to slap contestants with rulers.
The vinyl rulers are sewn to the hands with fishing line so that they don’t go flying off in dangerous directions, and the wheel of rulers is put into motion by a bicycle crank and a long stretch of chain.
I’ve never had to cast an animal before, but there’s a first time for everything.
To keep the hot plaster from melting the octopus into a pile of reek, it was frozen. Its tentacles were flattened against a sheet of aluminum foil so that there wouldn’t be too many undercuts on the mold.
Katie Akana cast the octopus in gelatin (with some sort of secret ingredient to make the creature especially stinky!)
This prop needed a revised mechanism to clobber Silent Library contestants in the head (I changed it to work with pneumatics instead of the original electric motors .)
I also cast the giant foam balls which did the clobbering. The balls have volleyballs in their centers, to save the cost of some expensive polyurethane foam.
This pasta wig was made to be eaten off the head of a senior citizen on Silent Library.
I cooked the pasta lightly so that it would be flexible, but not mushy. I held all of the pasta together with some remarkably sticky gelatin.
I shaped it to be one of those sideways haircuts that are popular with young people these days – those sideways haircuts are funny!
I made a giant (12′ across!) cloud and lightning bolt for the Kikkerland booth at the ICFF this year.
The components were made out of several sheets of blue foam sandwiched together, with an MDF and solid wood backing for support. I put together a homemade hot-wire cutter to shape the foam, along with my regular arsenal of saws and surform tools.
This electric chicken mixer was made to scratch Silent Library contestants with its sharp talons!
I removed the guts from an ordinary hand mixer and modified them so that they would fit inside a rubber chicken; I’m very happy with how it came together, especially how the power cord comes out the chicken’s mouth.
I assembled these hollow acrylic spheres so that they could hold three sneakers underwater, inside a giant swimming pool. The joints needed to be carefully glued and sealed so that they wouldn’t be destroyed by the water pressure!
This red robot needed some modifications so that it would not look like a toy commercial when it made an appearance on Sesame Street to illustrate the word “activate.”
I disassembled the robot and removed the speaker and some random ear-popping and eyebrow-raising functions, added some details, and painted it a more generic silver color.
This week, Fran and I were interviewed for the Frenzer Foreman Animation forum. I just listened to the episode, and I was surprised to learn that Fran and I sound totally different. Nobody ever told me that we don’t have twin voices! Also, I goofed on the identity of Baby Bear’s puppeteer. Sorry, Baby Bear.
For this video, I designed, constructed and puppeted the Godzilla-style creature. (there are some shots of the process of building the puppet over here) I also made a few of the props for the city and helped to dress the set.
I worked with Ryan McFaul (director, camera, props, set) and Katie Akana (props, set, moving vehicles and things around with magnets) It was so much fun to smash things with them, even though I spent the better part of two days crammed under a table with one arm reached as high as I could manage, surrounded by the output of a sweet-smelling fog machine.
We even managed to make Godzilla breathe fire! (kids at home: the secret is an aerosol can of WD-40 and a lighter.)