This red robot needed some modifications so that it would not look like a toy commercial when it made an appearance on Sesame Street to illustrate the word “activate.”
I disassembled the robot and removed the speaker and some random ear-popping and eyebrow-raising functions, added some details, and painted it a more generic silver color.
For this video, I designed, constructed and puppeted the Godzilla-style creature. (there are some shots of the process of building the puppet over here) I also made a few of the props for the city and helped to dress the set.
I worked with Ryan McFaul (director, camera, props, set) and Katie Akana (props, set, moving vehicles and things around with magnets) It was so much fun to smash things with them, even though I spent the better part of two days crammed under a table with one arm reached as high as I could manage, surrounded by the output of a sweet-smelling fog machine.
We even managed to make Godzilla breathe fire! (kids at home: the secret is an aerosol can of WD-40 and a lighter.)
I made some marionette puppets for the J. Viewz music video “Come Back Down” (the boy, girl, birds, and turtle.) The puppets were made out of blue polystyrene foam and acrylic paint and dressed up in bits of foam and some bright fabric from socks. Some tiny wire hinges kept the puppets joints loose enough to be puppeted by fishing line, along with bendy yarn legs.
Alisa Stern, Peter Ahern, Jeff Wallenhorst, & Matt Witham put this whole project together with their super design work, puppeteering, propmaking, and animation skills. Alisa even made us waffles!
Right now, the video is exclusively on Spinner, so please check it out:
http://www.spinner.com/2010/03/11/j-views-come-back-down-feat-joshua-james-video-premiere/
A music video that Fran and I made for Miles Kurosky is up on the internet this week. Hooray! I can finally show you all some pictures and video!
Amid Amidi did a ‘lil writeup on Cartoon Brew over here: Cartoon Brew
Fran is a big Beulah fan, so when we made The Upstate Four he contacted Miles Kurosky to see if he would be interested in making some music for our cartoon. Even though we couldn’t pay them too much, Miles and his friend Nik Freitas wrote and recorded 25 songs for our cartoon. Really really good songs! If my computer’s music player is on shuffle and one of them pops up it is never skipped and often repeated.
We offered to make him a music video so that our exchange of goods and services would be more fair, and Fran proposed that our music video should require that all of the check boxes on an animation festival application form for “Media type” be checked. (We missed sand-on-glass and paint-on-glass, but there’s still quite a bit of stuff in the soup.)
Fran and I started out thinking that our video would be a weekend project like Robot Dance Party, but it was so much fun to try new things that it expanded into our free time over several months.
We made puppets, set construction paper houses on fire (which lit up quite nicely!) and had lots of fun along the way. Our video has played the ASIFA-East Festival, The Ottawa International Animation Festival, and it will be at Stuttgart this May.
I made this puppet for a health-care advocacy group. In a short video, the puppet will wreck hospitals, clinics, and maybe even get to eat some ambulances and doctors. I’ll be doing the puppeteering today, so I’ll post a link as soon as it is available. I’m keeping my fingers crossed that fire will be breathed.
The puppet is made from urethane foam covered with liquid latex and acrylic paints. I also added UVA foam teeth and claws, and some red LED lamps for eyes. Steel rods inside the puppet can be used to move the arms, and there are two dowels that fit into sockets located at the back of the puppet’s knees so that the puppet can be “walked” without a puppeteer’s arm inside.
Of course this isn’t THE Godzilla. Godzilla has powerful lawyers with radioactive law breath. Let’s just say he’s a Destroyosaurus. Or possibly a Destructiodon.
Here’s the finished project for which I made all of those cardboard props! Max Porter and Ru Kuwahata helped take the pixellated photos of the props and costumes, and even helped out by wearing them. When I brought everything into After Effects, I had to scale Max and Ru horizontally to make them chubby enough for animation!
The rain was made by gluing construction paper raindrops to some string, and cycling through three different strands of drops (purple, light blue, and dark blue.
And here’s what those things look like when they’re moving:
I went to Chinatown and picked up some pyjamas from a bargain rack to get some fabric for this puppet. The head is made from foam and cardboard (with googly eyes) and the mouth is opened and closed with a piece of clotheshanger wire.
Layers of foam were used to make this puppet and give it an appearance of wind-worn stone.
I sewed a tiny beret for this puppet, and gave it a painted wooden dowel for a cigarette. the mouth is opened and closed by a thin wooden dowel, since the puppet is too thin for a puppeteer’s arm to fit inside.
