I designed some signage for the Brooklyn Cyclones’ stadium on Coney Island. It was fun to do some research into the color schemes of New York baseball and Coney Island, plus I got to eat a candy apple every time I went to the stadium for a presentation!
My concept was based on a combination of the boardwalk signs filled with hundreds of lightbulbs, and the directional-looking baseball souvenir pennants.
I designed this exhibit as a pop-up marketplace to be located on the site of the demolished Thunderbolt rollercoaster on Coney Island. It takes the shape of a giant squid attacking the mainland!
The florist’s storefront on Sesame Street needed some dressin’ up, so I made this sticker for their window, along with some stickers for non-existent credit cards.
This lamp was made for a “found object” lamp project. The base is made from some oak that I found on the street, and the stem is the plastic part of a dried-out marker. I needed to get the bread clips through mail order, since I couldn’t eat so much bread!
Well, this one was a challenge. I needed to make a pair of artificial hands shaped like beer cans. Also, the cans needed to be remotely filled with beer so that the actor could drink from them. Also, they needed to explode as if they were shot with a bullet. Also, they needed to spray fountains of blood.
I needed to cut the cans open so that I could fit a plastic tube that I could use for my pneumatic hardware. Also the finish needed to be sanded off of the cans so that new labels could be applied.
Jason Singleton helped me to rig these cans up to a couple of vegetable-sprayers (filled with alternately O’Doul’s and fake blood) and lots and lots of pneumatic hose.
This foam sword pops out of a coffin and stabs someone! Since we couldn’t fit a whole sword in a coffin, and we couldn’t stab anyone for real, I made the sword in two halves.
The front half to pop out of the coffin (I rigged it to operate pneumatically,) and the hilt, which has a flat base to attach beneath a hole in the actor’s clothes. The blade is made out of silver-painted foam, and I was able to get a serrated effect by wiggling the razor blade as I cut. The hilt was made out of a goofy old gold lame’ belt, which I brushed with a light coat of brown acrylic paint.
I made this magically-opening walnut for the Adult Swim mini-series “The Heart, She Holler.” It works in a way that is similar to the old springy toy animals made out of beads that droop when you press on their plastic base.
For my version, I made a new base out of plastic tube, springs, and washers. Next I carefully cut a walnut into quarters and made tiny wire hinges so that it would flop open when the spring was discreetly pressed. It is almost impossible to get the meat out of a walnut without breaking it, so I needed to epoxy mine back together!
I’ve been studying since this summer at F.I.T. in New York in the Exhibition design graduate program. Our first project was to design an exhibit centered around our favorite food. …I don’t really have a favorite, so I chose Funnel Cake – that sloppy mess of fried dough and confectioner’s sugar that is served at fairs and amusement parks in the summertime.
My design features doughy walls, a funnel-shaped slide that lands in fake sizzling oil, and walls that need to be ripped apart (just like a funnel cake needs to be ripped apart!)
I’m posting my presentation pages. Sorry if this is more funnel cake than you can handle!
I was called in as a Production Manager to help out with the workshop on a Project Runway spinoff called “Project Accessory.”
The show needed someone to help organize and upkeep all of the tools and materials required to keep their team of designers busy. It was my first time working on the production end of things, and it was pretty fun! There was such a variety of techniques happening on the show – jewelry, sewing, painting, casting – the cast members all had their own specialties, and it was a challenge to keep everyone supplied.
It reminded me of my days back in the Parsons School of Design product/furniture shops – except if EVERY DAY was the day before finals!
I drew these pictures for Sesame Street – Prince Charming and a Princess involved in their day-to-day activities.
It appeared in an episode where an apple ipad was used for the the first time on the show.
I made this giant rotating milkshake for a pie/milkshake merchant. The provided graphics were applied to gatorboard which I sandwiched around a signpost and then bulked-up with some polyurethane foam. The edge was painted white and covered with glitter.
The base is plywood and contains a drill motor, which spins the giant milkshake!
Someday many years from now, my grandkids will ask me “Grandpa, were you ever a television robot star?” And I will be able to honestly tell them “Yes children, I was an EVIL television robot star.
I built this robot out of all sorts of odds-and-ends. A funnel, bucket, two mini plasma spheres to make a head, and two wheelbarrows to make a body. The legs are made from wiggle board and plywood, and then I attached a bunch of wires and junk circuit boards… with plenty of silver paint to make things look futuristic.
Courtland Premo made a remote control base for the robot by dissecting a remote-control golf bag carrier.
It gets very hot in a robot costume!
I built this machine to sequentially shoot a contestant in the toes with rubber bands.
The mechanism works with screws which are placed around the barrel of a crank-operated winch every few degrees. As the crank is turned, the rubber bands fire off one-by-one.
I built this five-passenger bike by cutting apart and welding together the parts from three tandem bikes, and adding a bit of black gas piping where I needed straight tubing. It actually worked too, and I was able to take it for some wobbly rides in the studio! (Though the rear seat was responsible for shifting gears, since my cables weren’t long enough.)
Inflatable hot water bottles were added to make exploding seats (by Jason Singleton and Jessie Voris, I think)
The second in a series of swingsets that made me feel bad!
I created a swing out of heavy black rubber to hold a contestant so that their knees would graze against a carpet as they swung, getting a nasty case of rugburn in the process.
This challenge almost made me puke.
I made a welded steel mechanism that swung three flounders into the face of a contestant as they played on a swingset. The fish are all put in motion by a pneumatic cylinder that rotates the fish in the opposite direction from the contestant.
My stomach was churning as I tried to zip-tie the flounders in place, but Katie Akana not only bravely attached the fish for me – she also broke out a big bucket of slime to make the fish extra revolting.
I cast these rubber hands and built them to pinch a contestant’s cheeks. A spring-powered clamp was modified to make the fingers pinch. Jason Singleton built the motors which moved the hands from side-to-side.
I built this ATM machine with help from Daniel Rasa. The shell of the machine is made out of MDF and plywood, and acrylic components were added for lighted signs and to simulate buttons.
It re-uses the mechanism from the groin-punching slot machine that I’d built earlier, only with a new cast silicone hand that held a fistful of phony money. Courtland Premo programmed a LCD photo frame to act as an ATM screen for the stunt.
This was a simple modification that only took a few hours to complete – an elliptical trainer that I welded arms onto, so that it could punch a contestant alternately in the stomach and groin.
I built this puppet stage for Opening Ceremony’s event at Fashion’s Night Out. It was built over a long weekend out of plywood, MDF, yards of black and red velvet, and lots of Christmas lights! Andrew Bunch helped me with painting and assembly, and sewing magnets to the curtains so that they would close nicely, and Jessie Voris upholstered the chaise lounge – with buttons and everything!
I welded together a pair of steel hands to squeeze contestants’ behinds. The hands were pulled shut by bicycle brake cables which were tightened by spinning a crank. I covered the hands with liquid latex coated foam. The arms wear sleeves stitched together by Jessie Voris, and the lower support was re-used from a catapult built by Courtland Premo.
This machine was built to give five contestants a wedgie… SIMULTANEOUSLY! I welded together the steel pipe and I-beam frame and hooked up two 12v electric winches to a bar, which in turn was connected to the contestants specially grommeted underpants (by official Silent Library grommeter Jessie Voris.) Courtland Premo figured out a way to operate the winches with a remote control and a small 12v battery.
Hitting a contestant in the face with a series of waterbottles was a fun challenge! I made a net out of some surplus green vinyl strapping, and a steel pipe frame to hold all of the bottles in single file. When a motor pulled on an end of the belt, they would drop into a hopper one-by-one. At the bottom of the hopper was a little conveyor belt powered by toy car motors, which would feed each bottle into a tennis ball launcher to fire them at the contestant.
I modified an old slot machine to perform a complicated task: First, after the contestant pulled the slot machine’s arm the three tumblers were to spin and then stop so that a fist icon was facing forward. Next, lights were to flash, the winnings drawer was to drop open, and then a rubber fist would pop out and punch the contestant in the balls.
Unfortunately, I don’t have any pictures of the complete machine in operation on the set, since I was too busy flipping switches and pressing buttons to control the machine. The scissor-hinged punching mechanism was re-used in an ATM machine built for the show, so you can see it there too!